Pieter Dirksen

Harpsichordist - Musicologist - Organist

   
Home
Biography
News
Calendar
Recordings
Books & Editions
Articles
Papers & Lectures
Online Essays
Thematic Overview
of Publications
Concert Reviews
Links

Papers & Lectures

Conference Papers
July 1987 Norden, Scheidt/Buxtehude-Tagung, ‘Samuel Scheidts handschriftlich überlieferte Clavierwerke’
   
April 1990 Utrecht University: ‘Het portret van Samuel Scheidt’
August 1990 Utrecht International Harpsichord Symposium: ‘The Background of Bach's Fifth Brandenburg Concerto’
   
April 1991 VNM-Conference, The Hague: ‘"Les Sweelinckistes": Sweelinck en zijn leerlingen’
   
August 1994 Göteborg Organ Academy: ‘Sweelinck's Keyboard Style and Scheidemann's Intavolations’
   
July 1995 Hamburg Organ Conference: ‘Zum Hintergrund der Düben-Tabulatur’
August 1995 Dollard Festival, Böhm-Tagung: ‘Böhm, Bach und die Choralpartita’
   
August 1996 Göteborg Organ Academy: ‘Sweelinck & the Dutch Tradition of (Improvised) Psalm Variations’
   
August 1998 Göteborg Organ Academy: ‘A Short History of the Chorale Fantasia’
   
January 1999 The Hague, Harpsichord Symposium: ‘Buxtehude & the Stylus fantasticus’
August 1999 Utrecht, International Sweelinck Symposium: ‘Sweelinck's Development as a Vocal Composer’
August 1999 Utrecht, International Sweelinck Symposium: ‘The Sweelinck Paradox: Researching, Analysing and Playing Sweelinck's Keyboard Music’
August 1999 Utrecht, International Sweelinck Symposium: ‘The Importance of Sweelinck's Small Organ’
September 1999 Freiburg, Schütz-Tagung: ‘Scheidt, Scheidemann und die Toccata’
   
January 2000 Leipzig Bach-Symposium: ‘Bachs "Acht Fughetten": ein unbeachtetes Leipziger Sammelwerk? ’
February 2000 Dortmunder Bach-Symposium: ‘Überlegungen zu Bachs Kantate "Erfreute Zeit im neuen Bunde" BWV 83’
March 2000 Rotterdam Bach-Symposium: ‘Van Sweelinck tot Bach: de Noordeuropese polyfone claviertraditie’
August 2000 Göteborg Organ Academy: ‘Buxtehude and the Chorale Fantasia’
August 2000 Göteborg Organ Academy: ‘The so-called "North German organ toccata" and the toccatas of J.S. Bach’
October 2000 Brussel Organ Symposium: ‘Perspectives on John Bull's Late Keyboard Music’
   
February 2002 Dortmunder Bach-Symposium: ‘Überlegungen zu Bachs Suite f-Moll BWV 823’
August 2002 Göteborg Organ Academy: ‘The Dutch Regaalwerk Organ’
   
April 2004 Delft, Festival of Virginals: ‘Orlando Gibbons and the Sweelinck School’
July 2004 Manchester, Eleventh International Conference on Baroque Music: ‘Froberger and the early Clavecinistes’
July 2004 Manchester, Eleventh International Conference on Baroque Music: ‘Bach and the Tradition of the moto contrario’
November 2004 Halle, Scheidt Symposium: ‘Zum Fantasiebegriff bei Samuel Scheidt’
   
April 2005 Aberdeen, Symposium of Early English Keyboards: 'Towards a Canon of the Keyboard Music of John Bull'
   
June 2006 Dortmunder Bach-Symposium: 'Bach und die Tradition der Choralpartita'
June 2006 Halle, Handel Symposium: 'Eine wenig-beachtete Quelle zur Aufführungspraxis bei Händel'
August 2006 Utrecht, Seicento Symposium: 'Girolamo Frescobaldi and the Netherlands'
   
October 2007 Freiburg/Br, Internationales Buxtehude Festival: ‘Buxtehude und Bach: Neue Perspektive’
November 2007 The Hague, Buxtehude Symposium: ‘Buxtehude and Bach: New Perspectives'
   
October 2008 The Hague, Schütz Symposium: ‘Die geistliche Vokalmusik Nikolaus Adam Struncks'
   
July 2009 Smarano, Organ Academy: ‘Georg Böhm and the Thuringian Chorale Partita’
   
June 2010 Halle, Internationale wissenschaftliche Konferenz "Wilhelm Friedemann Bach": ‘Zum Umfang des erhaltenen Orgelwerks von Wilhelm Friedemann Bach'
July 2010 Belfast, Fourteenth International Conference on Baroque Music: ‘Some Observations on Bach's Organ Sonatas’
   
February 2011 Montreal, McGill University, "Networks of Keyboard Music ca. 1600 - J.P. Sweelinck and P. Philips": Keynote speech and lecture: 'Orlando Gibbons: The Continental Perspective'
March 2011 Aberdeen, University, "Musical, Cultural and Religious Networks in Early Modern Europe - in Celebration of Peter Philips's 450th Anniversary": lecture ‘Orlando Gibbons: The Continental Perspective’
 
May 2012 Amsterdam, Sweelinck Harpsichord Festival: ‘De Poetica van Sweelinck's clavecimbelmuziek’
September 2012 Utrecht, Early Music Festival, Leonhardt Symposium: ‘Georg Böhm's keyboard music: Defining the corpus’
September 2012 Göteborg, University (Organ Academy): ‘The Background of the North German Chorale Fantasia’
November 2012 Amsterdam, Sweelinck Day: ‘De Poetica van Sweelinck's klaviermuziek’
 
September 2013 Hamburg, Scheidemann-Selle-Symposium: ‘'Hurtig mit der Faust, munter und aufgeräumt': Heinrich Scheidemann und die 'Sonderspezies'' Choralfantasie’
April 2013 Moscow, Sweelinck Symposion: ‘Mein junges Leben hat ein End: The Poetica of Sweelinck's Keyboard Music’, ‘Sweelinck's Cantiones Sacrae’
September 2013 Hamburg, Scheidemann-Selle Symposion: 'Hurtig mit der Faust, munter und aufgeräumt': Heinrich Scheidemann und die 'Sonderspezies' Choralfantasie’
 
November 2014 Utrecht, CPE Bach Day: 'Carl Philipp Emanuel Bach & het clavecimbel’
 
September 2016 The Hague, Schütz Symposium: ‘Johann Jacob Frobergers Dresdner Besuch'
October 2016 Wien, Con Discrezione: Rethinking Froberger: ‘Johann Jacob Froberger und die frühen Clavecinisten'
   
Lectures & Lecture-Demonstrations
December 1991 The Hague Conservatory: ‘Bach & Vivaldi’
   
August 1994 Helsingør Festival of Early Music: ‘Sweelinck's Influence’
   
January 1995 The Hague Conservatory: ‘Sweelinck's keyboard style’
September 1995 Organ Festival Amsterdam/Alkmaar: ‘Bach's Toccatas’
   
January 1996 The Hague Conservatory: ‘Dietrich Buxtehude’
September 1996 Utrecht Schütz Symposium: ‘An Introduction to the Musicalische Exequien’
November 1996 Utrecht, Bach-Festival: ‘Bachs Clavierübung’
   
January 1997 Hattem, NOV-dag: ‘Sweelincks orgelmuziek’
May 1997 Rochester, Eastman School of Music: ‘Sweelinck's Keyboard Style’
May 1997 Montreal, Bach Harpsichord Festival: ‘The Earliest Version of the Art of Fugue’
May 1997 Groningen, NOV-dag: ‘Sweelinck en zijn fantasieën voor orgel’
   
March 1998 Amsterdam Conservatory: ‘Stylus fantasticus van Froberger tot Bach’
March 1998 Utrecht Conservatory: ‘Stilistische aspecten van Sweelincks Claviermuziek’
September 1998 Wouw, NOV-dag: ‘Sweelinck en zijn leerlingen’
October 1998 Leuven, Lemmens-Instituur: ‘Sweelinck en zijn leerlingen’
December 1998 Utrecht, Vrije Universiteit/Bachvereniging: ‘Bachs Weihnachtsoratorium’
   
May 1999 Leiden, NOV-dag: ‘De fantasie in de 17e eeuw’
   
October 2000 The Hague Conservatory: ‘The Art of Fugue and Bach's last Decade’
   
August 2001 Bruges, Harpsichord Festival: ‘The North German Harpsichord Toccata’
November 2001 Utrecht, Duitse Huis: ‘Bachs Grote Mis’
November 2001 The Hague Conservatory: ‘Jan Pieterszoon Sweelinck’
November 2001 The Hague Conservatory: ‘Nederlandse Vocale Muziek in de 17e eeuw’
December 2001 Eemnes, Volksuniversiteit: ‘Heinrich Schütz en zijn Weihnachtsgeschichte’
   
April 2003 Zutphen, Bachvereniging: ‘Bach's Clavierübung III’
September 2003 Paris, Institut Néerlandais: ‘Jan Pietersz. Sweelinck, Compositeur Européen’
December 2003 The Hague Conservatory: ‘The Early Version of Bach's Art of Fugue’
December 2003 The Hague Conservatory: ‘Bach's Art of Fugue and its posthumous history’
December 2003 Eemnes, Volksuniversiteit: ‘Bachs Hohe Messe’
   
February 2004 Utrecht Conservatory: ‘Girolamo Frescobaldi’
April 2004 Fribourg, Académie d’Orgue: ‘Sweelinck, Compositeur Européen pour Clavier’
May 2004 Haarlem, Stichting NIVO: ‘De Rijkdom van de 17e-eeuwse Klaviermuziek’
June 2004 Wouw, Orgeldag: ‘Sweelinck en zijn tijd’
October 2004 Ljubljana, Academy of Sciences: ‘Sweelinck, An European Composer'
   
January 2005 London, Royal College of Music: 'Re-visiting Sweelinck'
   
May 2006 Noord-Nederlands Conservatorium: 'The Transmission of the Music of Sweelinck and his Pupils'
   
May 2007 Cuijk: ‘Buxtehude en zijn koralen voor orgel’
May 2007 Utrecht Conservatory: ‘Buxtehude and the Stylus Phantasticus’
June 2007 Alkmaar Schnitger festival: ‘Buxtehude's Organ Music and the Stylus Phantasticus’
September 2007 Montepulciano Buxtehude Week: ‘Buxtehude: Leben und Vokalmusik / Buxtehude und der Stylus Phantasticus’
October 2007 Groningen Buxtehude Symposium: ‘Buxtehude en de Sweelinck-Traditie’
December 2007 Amsterdam: ‘Amsterdamse muziek uit de 17e eeuw: Recente ontdekkingen’
 
May 2008 Deventer, Reincken-Festival: ‘Sweelinck en zijn clavecimbelmuziek’
May 2008 Dordrecht, Bach-Studiedag: ‘Bachs concert-transcripties voor orgel’
November 2008 Utrecht, Studiedag Clavecimbelgenootschap: ‘De muziek van de "vroege" Franse clavecinisten’
 
March 2009 Utrecht, Bach Harpsichord Festival: ‘Bach's Harpsichord Toccatas’
 
January 2010 Elburg, Orgelmuseum: ‘De orgelmuziek van de Renaissance’
March 2010 The Hague Conservatory: ‘The Organ Chorales by Georg Böhm in the Walther Manuscript Den Haag 4.G.14’
 
March 2012 Weener, Organeum: ‘Jan Pieterszoon Sweelinck zum 450. Geburtsjahr’
March 2012 Utrecht, Universiteit / Studium Generale: ‘De vroegste versie van Bachs Johannespassie’
September 2012 Tholen, Stadhuis: ‘Sweelinck en zijn klaviermuziek’
September 2012 Göteborg, University (Organ Academy): ‘Performing Scheidemann's Chorale Fantasias’